|80 years ( 2023 )
|Date Of Birth
|March 3, 1943
About André Téchiné
André Téchiné was born on 3 March, 1943 in Valence-d’Agen. Her first feature, Pauline S’en Va, made in 1969, deals with madness but will go unnoticed despite Bulle Ogier’s superb interpretation. Then came Souvenirs D’En France in 1974, a film that follows the journey of a bourgeois family from the popular front to the present day, which did not fail to delight the critics and which allowed him to make his third film two years later. , the very sophisticated Barocco, with Isabelle Adjani and Gérard Depardieu headlining. Subsequently, Téchiné delved into more romantic cinema, notably with Les Soeurs Bronte (1979), where he found Adjani, who earned him his first participation in the Cannes Film Festival in the official selection. His fifth film Hotel Des Americas (1981) marks a turning point in his career.
There he directed Patrick Dewaere and Catherine Deneuve who would become one of his favorite actresses. This film testifies to his extreme sensitivity which will only assert itself in his following productions. From then on, the filmmaker shows his interest in the actors whom he brilliantly portrays, trying to best adapt the dialogues to their personalities. Téchiné continues his cinematographic adventure with much harder and more serious themes as in Les Innocents (1987) with Sandrine Bonnaire, or J’Embrasse Pas (1991), with Emmanuelle Béart, which addresses the subject of prostitution, combining the sensitivity of the director and some psychological violence. Subsequently, in 1993 he directed My Favorite Season, then Les Roseaux Sauvages.
In 1998, he reunited with Juliette Binoche for their second collaboration in Alice Et Martin, fourteen years after Rendez-vous. In 2002, he was for the first time a screenwriter for another director, Benoît Graffin, for his Cafe De La Plage. In 2003, he was selected at the Cannes Film Festival with Les Égarés. This is his fifth selection on the Croisette after Les Soeurs Bronte, Rendez-vous (1985), Le Lieu Du Crime (1986), and Les Voleurs (1996), for which he won the directing prize. It was also the year when all of his cinematographic work was awarded the René Clair Prize. In 2004, he directed Catherine Deneuve for the third time in Les Temps Qui Changent, a film which won the Golden Bear at the Berlin Film Festival the following year. André Téchiné returned in 2007 with a serious film, Les Témoins, which deals with the appearance of AIDS in France in the early 1980s.
That same year, the director was president of the jury for the 33rd edition of the American Cinema Festival in Deauville. In 2009, he chaired the jury for the script competition against homophobia Young and homo under the gaze of others organized by the Ministry of Youth and Sports and Inpes. The same year, he directed La Fille Du RER, before directing Impardonnables in 2010. The film was then presented in the Selection of the 43rd Directors’ Fortnight Cannes 2011. The following year, he was a member of the Jury of the 68th Venice International Film Festival 2011.
André Téchiné Career
In July 1964, he wrote his first piece, which was about Truffaut’s The Soft Skin.
The theatre setting was where Téchiné made his first picture. Later, he worked as Marc’O’s assistant director on the experimental play’s film adaptation Les Idoles (1967). Jean Eustache edited this movie; in his 1972 picture La Maman et la putain, Téchiné makes an uncredited cameo appearance. In the 1969 film L’amour fou, Téchiné served as Jacques Rivette’s assistant director. Rivette was Téchiné’s editor at Cahiers du Cinéma.
Téchiné is renowned for his sophisticated and intensely emotional movies that frequently explore the intricacies of the human condition and emotions. Téchiné is known for his sensitive but objective assessment of interpersonal relationships. Téchiné’s style is characterized by his exploration of sexuality and national identity, as he defies expectations in his depictions of gay relationships, the North African dimensions of contemporary French Paris and his home Southwest share a center-periphery relationship in terms of culture. Téchiné was influenced by Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. He can’t travel more than a train ride to most film premieres or festivals from his Paris flat with a view of the Luxembourg Garden due to his fear of flying.
According to Téchiné, “I never know how each film will end.” “Whenever I’m filming, I treat each scene as a small movie. I only consider the narrative when I’m editing. The only thing I do after achieving my goal is to share a narrative.
André Téchiné all produced and directed ( TV/ Series List )
Disclaimer: All images included in this post are from Instagram and Google Images, and all credit belongs to their rightful owners. The data presented above is derived from several web reports. The data on the webpage are not entirely accurate. Contact us at "firstname.lastname@example.org" for credit or to get this image removed.